About
I worked as a concept artist with Archetype Entertainment on Exodus, designing creatures, characters, and other bits for the game. Working closely with Art Director Jeremy Cook, I explored visual ideas guided by strong world building and clear artistic direction, while still having plenty of room to experiment. A particularly inspiring part of the process was receiving short descriptive excerpts from Peter F Hamilton, which provided a rich narrative foundation for imagining the beings that inhabit this universe. It was a deeply creative experience where storytelling and design went hand in hand.
The Arkavir
I worked as a concept artist with Archetype Entertainment on Exodus, designing creatures, characters, and other bits for the game. Working closely with Art Director Jeremy Cook, I explored visual ideas guided by strong world building and clear artistic direction, while still having plenty of room to experiment. A particularly inspiring part of the process was receiving short descriptive excerpts from Peter F Hamilton, which provided a rich narrative foundation for imagining the beings that inhabit this universe. It was a deeply creative experience where storytelling and design went hand in hand.
This is a simple 3D scene I put together to test some of the stylisation filters in Substance 3D Painter. The aim was to give it a painterly look so the whole setup feels more like an illustration. I also used these assets in a collaboration with Adobe for a video, where I broke down the different filters I used and how I applied them.
Marée Turquoise
This is a simple 3D scene I put together to test some of the stylisation filters in Substance 3D Painter. The aim was to give it a painterly look so the whole setup feels more like an illustration. I also used these assets in a collaboration with Adobe for a video, where I broke down the different filters I used and how I applied them.
This is a quick 3D concept of an abyssal creature I designed as an example piece for the Creatures of the Deep art contest I'm running. The goal was to explore something strange but elegant… a passive, observant lifeform drifting through the deepest parts of the ocean. Sculpted and detailed in ZBrush with render passes from Maverick Render, and a quick paintover to push the final illustration.
The Nemorion
This is a quick 3D concept of an abyssal creature I designed as an example piece for the Creatures of the Deep art contest I'm running. The goal was to explore something strange but elegant… a passive, observant lifeform drifting through the deepest parts of the ocean. Sculpted and detailed in ZBrush with render passes from Maverick Render, and a quick paintover to push the final illustration.
Testimonials
"Finding Pablo’s UZG course was a blessing. Now I am learning the fundamentals necessary to realize my vision."
"I was directly put at ease by the methodology and Pablo's way to deconstruct the software to make it accessible to us. It changed my way to see ZBrush and will be a wonderful asset in the future."
.webp)
